I
work as a character animator in film and TV. Below is my professional
work history along with some personal projects.
Showreels available on request.
John
Doo: StoreDetective
Filmed in Wainouiomata, New Zealand in 2005. This is my first
attempt at using film instead of DV, featuring 'real' people and
a story that is longer than 3 minutes. Daring stuff!. Check it
out..........
'Crime is rife in Woolwarts supermarket. The aisles are anything
but safe as a body is soon discovered in the freezer section.
There
is of course John, in this his biggest, only, first and last case
to make it as a one-part series.
By Jamie Beard
Starring:
John Bach
Terry Binding
Des Morgan
Tony Yyeth
The
Waterhorse
I
did a small amount of previs work on this film.
~
Bridge
to Terabithia
I
did a small amount of previs work on this film.
~
Xmen3
Lots
of explosions and gritted teeth in the latest installment of superheroes
wearing leather.
~
King
Kong
Peter
Jackson's 3 hour homage. It was extremely challenging but the
VFX prooved cool and groovy enough to win us an Oscar.
You can read an interview with me about this film here.
~
I-Robot
Alex
Proyas (Dark City, The Crow), brings this Isaac Asimov inspired
story to the screen for the first time. If you read the original
collection of short stories be prepared for more explosions.
~
Lord
of the Rings: The Return of the King
I
was ushered out to New Zealand along with a lot of other visual
effects people to complete the last installment of the trilogy.
I animated on the big Mumakil sequence where Minas Tirith gets
attacked, plus a nice Fellbeast shot at the end (the big flying
beasts).
~
Ella
Enchanted
Now
relesaed to luke warm reviews, this involved a talking CG snake
that looked a lot like zippo.
~
Sky - Red
Rocks
This
was a series of adverts for Sky television using a Mick Jagger
persona to sell the product. Below are two commercials I particuarly
enjoyed animating on - especially El'Red, the evil cowboy!
I
worked for several months on the second installment of Harry Potter
and was involved in both sequences awarded to Framestore-CFC.
These were the 'Pixie' and 'Basalisk' sequences.
Dinotopia, when it aired in May 2002, was billed as a 'Mega mini-series'.
Produced by Robert Halmi, this huge production cost over $80 million
to produce, and involved the realisation of a whole fantasy world
based on the bestselling books by author, James Gurney.
I spent 19 months on the production of Dinotopia where I was involved
in bringing the character 'Zippo', onto the screen.
Despite some formidable obstacles, I think the team who worked on
Zippo brought a believable and genuine sense of personality to the
character. The mini-series may have been justifiably slammed on
such qualities as story and acting, but all the reviews (bar one
or two) gave a positive response to the character:
"In fact, the best actor in Dinotopia
is Zippo, a lovably prissy dinosaur who befriends the boys."
"If they decide to give an Emmy this year for Best Performance
by a Member of an Extinct Species in a Starring Role, a promising
newcomer named Zippo gets my vote. Long-necked and twittery, with
large, expressive eyes and a benignly professorial manner, he's
part C3PO and part Jiminy Cricket, with maybe just a hint of Kermit
in there, too. I wish I could say that Zippo's human co-stars do
as well in "Dinotopia..."
""When it comes to acting honors, the only winners are
the dinosaurs, who are wonderful."
The boys’ companion Zippo – an intelligent two-legged, upright dinosaur
– is animated with a full range of facial expressions which will
surprise you. His face can convey fear and guilt and joy with ease.
"
If you want to
find out more about Dinotopia, watch some animation, or learn more
about the production; log on to www.visitdinotopia.com
~
Stills
from film...
Movement
studies...
My
Final Year Film:
The ultimately happy story of 'A Boy Name
Sue' struck a chord with me (haha).At the time it was a hard undertaking.
I was attempting to make a 3 minute film with realistic human movement
for a final project. It had fantastic animation potential involving
a fight scene and I felt the mood would be best set if I took on
singing duties; the original was a noisy live performance at a jail!
Although drawn, much of it could not have been accomplished without
the aid of a computer.
It eventually gained entry into Edinburgh Film Festival, got interest
from HTV, offers from ATOMfilms, Britshorts as well as making a
lot of mates smile cos' of my bad singing.
Useless
Facts:
1843 drawings, another 2000 were scrapped (I wasn't very good).
Not including sketches, tests storyboards etc
My bed, duvet and mattress served as a useful singing booth when
balanced upright!
Over 60 Backgrounds
I read 'The Fifth Secret' whilst scanning (Over a week)
Animating took 2 Months
Colouring 1 Month (all on photoshop)
I did a total of over 45 takes of a Boy Named Sue (my flatmate can
vouch for it!)
The Bar is the set from 'Unforgiven'
It all fit on one CD by the end
The bullet is technically wrong. (The casing is left behind once
shot!)
The original lyrics have them 'kiss and make up' - the version that
made it to screen is far darker........
3mb
Quicktime
~
HEAVEN
'Heaven'
was a short animation about the futile life of a caterpillar -
much inspired from Ren and Stimpy! Have you ever seen a catapiller
laugh this manically?
~
STUDIES
This
is a still from a human motion study;
all done in charcoal.WAAAAYY back in the day ;-)
'Pull on a rope' (small quicktime)
All
images on this site are copyright Jamie Beard and cannot be used elsewhere
without permission.